Wednesday, June 3, 2009

hearing over the noise and through the silence

my mother told me about my uncle bob. 
robert lee, he fought for the south. 
shh, don't tell. he fought for the south.
our uncle bob.

mom, it's ok. my uncle bob, he was a good man.
no shame for my uncle bob. 
my uncle bob.

my mother told me i was an austrian princess.
a secret austrian princess. 
the civil war cast us out. cast us out of austria.
i am a secret austrian princess. 

my mother told me we were irish. oops. we're scottish.
mcrae is scottish. my grandfather is mcrae. my grandfather's grandfather. 
he's mcrae. i'm kirsten. kirsten is my grandmother's married name.
grandmother kirsten, she's blackfeet. 

grandmother kirsten, doesn't know her son's father. grandfather's father.
grandmother kirsten, she's blackfeet. she's blackfeet...i'm blackfeet?
grandmother kirsten, she's blackfeet.

i'm blackfeet?


they say i'm indian. i'm not indian. i don't know what it means to be indian. 
are you indian? they ask. they all ask. they ask everyday. i never know the answer.
am i indian? i don't know the answer.

if i say yes, am i posing? am i pretending? am i lying?

if i say no, am i withholding? am i suppressing? am i hiding?

my mother says, you're so lucky you know your mom. you know your dad.
you're so lucky, she says, for the family you know, the family you have.
you're so lucky you're american. you're american, american. 
we've been here forever, my mother says. forever, my mother says.

i'm blackfeet?

my mother's mother she speaks again. dakota, she says. dakota. 
my father's grandmother she speaks again. montana, she says. montana.

they say to me, lakota. they say to me blackfeet. my mother says forever. 
who am i?

french, lakota, scottish, irish?, blackfeet, cree? or creek?, austrian, german.
does that make me who i am? am i part of all of these? 
my foot? what part is that? my elbow, what part is that?



no. 

i am not part anything. they are a part of me.
my heart is 100 percent me. i am all colleen. 

even now i can't get the words out. how do i say them? can i say them?
will they come out?


can they ever come out?




i may never know. 

but i know i am me.





i am colleen.

Thursday, May 28, 2009

An Indian Without Reservation

Everyone I tell so - accepts me as Indian
But nobody wants me to be one.
Everyone really rejects me as Indian
The minute I try to be one.


Keep my hair short, dress just like them
Is all I've done throughout life.
The whites all want me to be just like them,
But they forget - this is my life.

Everyone knows that I'm Indian,
But this really seems to upset them
Forgive and forget that I'm Indian
Is the only way that I can live with them.

But I can't, can't you see, for I am what I am,
And what I am, dammit is Indian!
Though I was raised white American,
I've always been, and will always be...Indian.

They adopted me out just so they could change
My original certificate of birth
But try as they might, they can't rearrange
My Heritage, established at birth.

In this country I can be what I want
As long as what I want isn't Indian,
This is something I cannot flaunt
Still to some, "The only good one's a dead one."

Everyone knows that I am Indian,
And this really seems to upset them
Forgive and forget that I am Indian
Is the only way they'll let me live with them.

But I can't, can't you see, for I am what I am,
And what I am, dammit is Indian.
Though I was raised white American,
I've always been, and will always be...Indian

I can be Indian behind closed doors
And can be one amongst my kind
But if I try it amongst whites outdoors,
I'm told I'm not the right kind.

The American society existing today
Can't have me there to remind them
Of atrocities performed in such a way
They would rather just shove behind them.

Yet everyone knows that I am Indian,
And this really seems to upset them
Forgive and forget that I'm Indian?
If I can't be one, I won't live with them.

For I can't, can't you see? For I am what I am,
And what I am, dammit, is Indian.
Though I was raised white American,
I've always been, and will always be...Indian.

I know what I am but by law can't prove it
They claim my record can't be opened now -
That's because at adoption they sealed it
I'm supposed to accept being white now

Some of My People won't accept what I am
Because I'm not from the reservation
But accept that I am because what I am
Is an Indian without reservation!

And everyone knows that I'm Indian,
I don't care that this really upsets them
To forgive and forget that I'm Indian?
I'd much rather live without them.

For I can't, can't you see, for I am what I am,
And what I am, bless it, is Indian.
Though raised by the white American,
I've always been, and will always be:...Indian.

-- Unknown

This poem for me addresses something that Karen has brought up a couple times with her own personal experiences this idea that culture and identity is a part of us almost like DNA that we are connected to the generations before us it's kind of this unconscious knowing--even though in the poem the author was raised in a white American community he knows who he is and he doesn't have to grow up on the rez or with his birth parents or community to be considered a "real" Indian. I think this poem deals with identity because so much about identity can be proving to other people what your identity is when in fact only thing that really matters is knowing your own identity and this author definitely does. There is no doubt who he is and he won't let anyone stop him from expressing his own identity he would rather just live with out them. I think this poem also can be connected to this idea of having to prove Indian identity. I know this topic has been addressed a couple of times in the blog whether it's through blood quantum or cultural knowledge or where you grew up or how you look etc. etc. Or also not fitting into the stereotypical ideas of what it meas to be Indian. I think this poem enforces this idea that no matter what anyone else thinks or wants me to be this is who I am and I'm not willing to change that and you can't. Like he says "I am what I am..."
Brianna Howze

Wednesday, May 27, 2009

Define Your Alaska Native Identityhttp://alaskanativeidentity.com/

http://alaskanativeidentity.com/

Somehow I stumble upon this site and I found it very interesting so I thought I would share it. It is a site for a book project by Tiffany Tutiakoff, she is working on an Identity project where the aim to to oppose the common stereotypes and misconceptions of Alaska Native peoples. I really like this idea to just see the Natives and although the photography is simple, each picture has its own story. The author also had the individuals fill out a few questions about what being an Alaskan Native means to them. I am a photography nerd so when I came across this I was definitely drawn in. Hope you all enjoy.

Arianna

Native American History

http://images.google.com/imgres?imgurl=http://media.collegepublisher.com/media/paper882/stills/c149x12e.jpg&imgrefurl=http://www.dailypennsylvanian.com/news/2007/04/25/News/Honoring.Native.American.Culture-2878303.shtml&usg=__tY4oeKcjp7MDvlwO_Rh67oPDT8E=&h=600&w=708&sz=67&hl=en&start=65&um=1&tbnid=Zo5y3ZurBIOKeM:&tbnh=119&tbnw=140&prev=/images%3Fq%3Dnative%2Bidentity%26ndsp%3D21%26hl%3Den%26rlz%3D1T4ADBF_enUS311US311%26sa%3DN%26start%3D63%26um%3D1

This article is so interesting, it talks about how many Native Children were wrongfully taken from their families and put into orphanages. Just like the boarding schools!
This causes grieve and confusion on the child. Not only does the child not know their heritage or culture but they could be on the road to self hate or drug/ alcohol abuse. The only way to avoid this path is to understand and know your family and community. This is what the article addresses, a Native conference. This is to help rise the Native voice and keep the community strong. I like this article because it discuss what the next step toward the positive is, along with what has happened and is happening to the children of Native nations.
-Francisca Burgos-

Modern Identity.

http://www.centerwest.org/events/identity/index.php
I chose to put this link as a post because it kind of states the obvious, that to many people doesn't seem that obvious at all. It discusses how people especially filmmakers and novelists romanticize the Western past and portray most Indians as horse riding, feather wearing Indians. The result then becomes that non-Indians come to believe that that is the "true" meaning of being a real Indian. This site states that while Indians do hold many of the traditions from the past they have found an innovative way to integrate their traditions in modern time. The site goes through a series of Indian people who talk about how they keep their traditional ties to modern times.
I just thought it was pretty interesting.

Arianna

The debate over Native American mascots

I decided to search "Native American sports mascots" on google and predictably, TONS of articles and websites came up. I know that these have been mentioned in class once or twice, and I think they definitely relate to the idea of "microaggressions" (although we haven't talked about that in class much), along with "Indian" halloween costumes, etc. The mascots are, for the most part, based on stereotypes of Native peoples dating back hundreds of years, to when they were thought of merely as savage and uncivilized. I posted a few links to articles/sites that I found which discuss the controversy. Most of the articles that I read brought up the issue of identity, and one article (the first link below) pointed out that seeing such offensive mascots and goings-on at a basketball game was an assault on the self-identity of the children of the person on whom the article focuses, Charlene Teters. Another article has this quote, which I like: "There is no reason to ignore those who are hurt by the mascot in any aspect. They are forced to accept that their cultural identity and ancestry are on the level of animals that represent other teams." (In the article at the second link). Overall, the articles indicate that, as I said, many of the mascots are based on stereotypes and serve to perpetuate a false idea of who Native Americans are and how they identify themselves. I think this idea sort of relates to another post (I think it's one of Brianna's) with a cartoon of two people, and one says "You don't look Native American..." (or something to that effect) and there is a thought-bubble with a bunch of stereotyped images inside of it (including the Cleveland Indians mascot). With these stereotypes being constantly perpetuated, it is hard to get past that, and it seems that Native Americans can lose a bit of their sense of identity, and others will continue to think that this is how Native Americans identify themselves. It seems that people don't fully realize how offensive the images are to many Native Americans, and there was even one article that included an "argument" (a pretty crap one) against getting rid of these mascots, which basically said that doing away with those would be an assault on American identity, because sports are such a big part of American culture. Uh, okay. If you're interested, try searching for this. Tons of stuff comes up, and some pretty good points are raised. (I hope this makes sense...I think it sounded a bit better in my head)

http://www.ur.umich.edu/0506/Feb06_06/13.shtml

http://blog.syracuse.com/voices/2009/01/indian_mascot_is_blatant_disre.html

http://www.tolerance.org/news/article_tol.jsp?id=169

http://www.thenativepress.com/sports/mascots.html

Courtney Russell

Native art and Identity

Foundation to Support Native Arts
April 27, 2009

By Mary Hudetz of the Associated Press

PORTLAND, Ore. (AP) — Decades after federal policies sought to discourage many American Indians from participating in their tribal customs, a foundation has been formed to preserve and nourish the arts of American Indians and other native groups.

With the help of $10 million from the Ford Foundation, the new Native Arts and Cultures Foundation will begin establishing itself in Portland, said Walter Echo-Hawk, an Oklahoma lawyer who chairs its board.

"This is a very powerful idea," he said. "We think it's sort of a missing piece for native arts and cultures."

The board put its headquarters in Portland because of the city's thriving arts and American Indian communities. Among the board members is Elizabeth Woody of the Confederated Tribes of Warm Springs in Central Oregon.

Grants Should Start Going Out This Year

The foundation's scope encompasses Alaska Natives and Native Hawaiians. Its new president, Tara Lulani Arquette, a Native Hawaiian, will move to the city next month to select an office site, Echo-Hawk said.

By the end of the year, the foundation hopes to start awarding grants to artists and organizations that support native art and culture.

Those grants will not only boost efforts to preserve what remains of the nation's traditional tribal cultures and customs that historically were suppressed or prohibited, but also support contemporary native painting, theater, music and other art, Echo-Hawk said.

"Our cultures have survived," he said. "They've persisted and thrived."

Ford-Funded Study Showed Lack of Support

But there is still a need for more financial support, and this foundation could fill that void, said Elizabeth Theobald Richards, a Cherokee and Ford Foundation program officer.

"These are the indigenous peoples of this country," she said. "The art forms and the cultural heritage of these people have been underfunded and not recognized enough."

A 2006 study funded by the Ford Foundation showed there was no government support for American indigenous art and culture and relatively little philanthropic assistance, according to the Native American Rights Fund. The study led to the founding of the Native Arts and Cultures Foundation.

It's not the first national organization devoted to supporting tribal arts and culture, Echo-Hawk said, but it is the first to be permanently endowed.

In the future, he said, the foundation hopes to partner on projects with other organizations, namely the National Museum of the American Indian in Washington, D.C., and the Institute of American Indian Arts in Santa Fe. He also expects the foundation's mission to support tribal arts and culture won't be set back by the down economy because funding was secured before the start of the recession.

"Our foundation is in this for the long haul," he said. "And the economy will be bouncing back."

Mary Hudetz is an Associated Press staff writer. Hudetz, who is Crow, worked for reznet as a reporter and editor when she was a journalism student at the University of Montana graduate school.

I chose to post this article in our blog because I think that art is a huge part of people's culture and identity. This foundation not only supports and displays Native artists work but also serves as a way of preserving culture and allowing Native people to express their identity through art."Those grants will not only boost efforts to preserve what remains of the nation's traditional tribal cultures and customs that historically were suppressed or prohibited, but also support contemporary native painting, theater, music and other art, Echo-Hawk said. 'Our cultures have survived,' he said. 'They have persisted and thrived."
Brianna Howze